It’s interesting to talk about “Modern photography” as photography itself as a medium and an object, are products of Modernity.
So, we’ll talk about the changes in style and the photographer’s choices of subjects and their form of representation towards what we associate with “Modernism” in visual arts.

Before being considered an art form, photography was merely a documentary tool used in scientific research. As technology evolved, the cameras became smaller and more accessible. Soon, some photographers started to explore their artistic potentials.
Pictorialism
At the end of the 19th century, influenced by new artistic movements in painting and sculpture, photographers started to “stage” or work with the negatives in ways to give the photos, painting aspects. Subjects, focus and atmosphere were manipulated to simulate a painting.
Photography clubs were created around Europe and the US, which helped to disseminate the style. The Photo-Secession group in New York became particularly influential, with names like Edward Steichen, Alfred Stieglitz, and Gertrude Käsebier among its members.
Edward Steichen, “Moonlight: The pond”, 1904 / Image @ Artsy Alfred Stieglitz, “A wet day in the Bouldevard, Paris”, 1894 / Image @ Metropolitan Museum
Straight Photography
Appearing around 1904, this movement sought to capture what the photographer’s eyes saw. The emphasis was in clarity, precise framing and focus. There was no (or almost none) manipulation in the dark rooms.
Photographers started to document cities, architecture and other subjects of modern life.
Important names in this movement were Imogen Cunningham and Ansel Adams (both part of f/64 group), Paul Strand, Alfred Stieglitz, and László Moholy-Nagy.
Imogen Cunningham, “Self-Portrait on Geary Street”, 1958 / Image @ GETTY MUSEUM Laszlo Moholy-Nagy, “Light-Space Modulator”, 1930 / Image @ Wikiart Paul Strand, “Wall Street, New York”, 1915 / Image @ WikiMedia
From Straight Photography, many other art movements incorporated photography with important contributions:
- Surrealism (Dora Maar, Man Ray, etc.)
Dora Maar “Untitled (Hand-Shell)”, 1934 / Image @ Tate Man Ray “A l’Heure de l’observatoire: Les amoureux”, 1936 / Image @ WikiArt
- Dadaism (Hannah Hoch, John Heartfield, etc.)
Hanna Hoch, “Von oben” 1927 / Image @ WikiArt John Heartfield, “Self-Portrait with the Police Commissioner Zörgiebel”, 1929 / Image @ WikiArt
- Constructivism and the Bauhaus (El Lissitzky, Alexander Rodchenko, etc.)
El Lissitzky, “Self-Portrait (The Constructor)”, 1924 / Image @ MoMa Alexander Rodchenko, “Starway”, 1930 / Image @ WikiArt
To know more:
Check this Youtube channel with a brief history of photography in 8 videos:
Have a great week!
❤
So happy to have run into your blog. My next post will be about American machine age and industrial photography! So so interesting. In Milan I managed to visit an exhibition in October in Margaret Bourke-White. Amazingly beautiful.
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I’m glad you’ve enjoyed it! I liked yours too 🙂
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